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Startpagina  »  Pers  »  A10  »  Nummers uit het archief  »  #21 (May/Jun 2008)
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Uitgeverij

A10 Media BV

Tweemaandelijkse publicatie - A10
The Netherlands
Nummer  #21 (May/Jun 2008)

On the spot

News and observations

Expo Zaragoza under construction (ES)

Graeme Massie wins Reykjavik master-planning competition (IS)

Transparent designs share first prize in PermMuseumXXI competition (RU)

Update: Spring in Dublin (IE)

Award-winning Museumplein in Amsterdam (NL) ripe for a makeover

Reality check: Mixed-use complex, Budapest (HU)

and more...

 

Start

New projects
Office building, Sofia (BU) by Aedes Studio
Shipping terminal, Herceg-Novi (ME) by Studio Grad
Centre for the contemporary arts, Aberdeen (UK) by Brisac Gonzalez
Two churches, Litomysl / Cernosice u Prahy (CZ) by Zdenek Fránek
Academy of performing arts, bridge and square, Sarajevo (BA) by Archipelagos

 

Interview

Father and son Turányi
Within the changing Hungarian context, father and son Turányi combine their different approaches to architecture in their office T2a: ‘It is most inspiring when we have a continuous dialogue about our work. We need to be flexible’. An interview by Emiel Lamers.

 

Ready

New buildings

Housing, Bilbao (ES) by Eduardo Belzunce, Juan Garcia Millán and Luís Diaz Mauriño

Music centre, Watford (UK) by Tim Ronalds

Covered sports ground, Jurmala (EE) by Substance

Operational centre, Lisbon (PT) by GLCS Arquitectos

Golf club, Sempachersee (CH) by Smolenicky & Partner

Commercial and residential centre, Zagreb (HR) by Igor Franic

Community centre, Dublin (IE) by Hasset Ducatez

Housing, Stavanger (NO) by Helen & Hard

Apartment building, Amsterdam (NL) by hvdn architecten

Museum, Freiberg (DE) by AFF

Pavilion, Grammichele (IT) by Marco Navarra

Office building, Ankara (TR) by Cirakoglu Architecture

 

Section

Beyond transparency
The development of glass and architecture has for centuries been dominated by the pursuit of maximum transparency.But in recent years architects have been exploring and exploiting other properties of the material. Glass, always having been associated with fragility, is now being used as a structural material. Whereas the use of glass was for a long time problematical because of the associated overheating, special UV-resistant glass or glass to which a screen print or film has been applied, actually functions as a protective or light-reflective layer. And whereas glass once symbolized openness or even voyeurism, there are now all kinds of coloured, translucent and matt types of glass capable of delivering various gradations of openness or privacy.

 

Eurovision

Focusing on European countries, cities and regions
Political symbolism: Monuments and history in the new Europe
An architectural tour of the province of Tarragona (ES)
Profile: ROBERTNEUN™ (DE)
Home: Piotr Smierzewski’s clear and formal home in Koszalin-Lubiatowo (PL)

 

Out of obscurity

Buildings from the margins of modern history
Daria Ricchi unveils Giovanni Michelucci’s 1950s Cassa di Risparmio in Florence, which is hidden behind a fake Renaissance facade.

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